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A date with Annabelle (and Hasbro)

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It's October and The Conjuring spin-off Annabelle finally made its theatrical release in my country the very first day the month started. Unfortunately, I was in a predicament where I'm down with a bug and I had to undergo training for another spiel in my job. Not really a hassle, but I really prefer watching movies in the big screen during the day in a day-off but I work on a graveyard shift and for this week, I only have one day off and it's gonna be overnight so yeah, beats much of the purpose.

So I had to improvise; the day I start taking in calls again will start at 1 Am at a Friday night (which is technically a Saturday shift) and my training prior to that day ends at 9:00 PM, so that means I had the whole day to myself before I sleep for the afternoon, more than enough to go to a mall and watch this movie.

Got around my favorite mall about 10:10, ten minutes after it opened so the place is pretty barren. The ticket booth isn't even open yet so i strolled around looking for some other mall junk to stare at and/or buy; lately (thanks to this furry webcomic that I became an instant fan of), I got into collecting Transformer toys again. A little bit of history about me and Transformers: i was addicted to these things! I recall every occasion may it be my birthday, my Christmas or even as a get-well gift, I always got robots, particularly Transformers. Of course I outgrew them, at least for a few years, until I was inspired to start my collection again thanks to a cartoon Skunkette nerd who, for those unfamiliar with the comic, also has a passion for collecting these toys. (and may look like she's not wearing any pants) Eitherways, I stormed the toy stores and hobby shops and though I'd seen a few that I would like to add in my batch, they were a little steep with the price (and those that I could afford that day were too crappy for my taste) so I fought temptation to buy any of them...

...Only to have me spending half of my pocket money on My Little Pony comics. Yeah, still 1/1 brony at heart, though I have to admit I don't use their screencaps as often as i did before on this site. Perhaps a waning interest for the fandom? Could be, but I'll let time do the telling.

So one trip to a Japanese-themed fast food joint later, the ticket booths are finally opening up and i got mine before two large group of noisy teenagers fell in line. Like, really loud. God forbid they'll end up in the same theater but yeah, they ended up sitting behind me and next to me. What the fuck, Jeebus?

So yeah, the movie: personally, Annabelle was a tad generic. If you'd seen a haunted house movie, then you already saw Annabelle. Much like the Warren's description of the doll, Annabelle was just a tool for the evil to pass through and though I would like to see some creepy doll action, i guess demonic hauntings and babies nearly getting crushed by books can be fun too. Acting-wise, Annabelle Wallis did a fair job as a mother in peril though there were a few times where I just don't know where her character was going. Much of the plot revolves around her plight and fight against a force so evil that not even a priest can stop it. (Still wondering what would have happened if they tried blessing the house and/or the doll. If it was anything like the swarm scene from the original Amityville Horror, that would have been awesome!)

Overall, I'm not too disappointed, just wished it was as exciting as the movie it spun from but, hey, it wasn't James Wan behind this film, it's John R. Leonetti, the cinematographer behind The Conjuring, Insidious and Piranha 3D, directing an original story by Gary Dauberman, who in turn, I personally never heard off. (Looking into the films he wrote, I can see why) The film had its fair share of workable scares and jumps, and Leonetti's eye for great camera shots are ever present, but I would really prefer seeing a movie based on the REAL Annabelle haunting, the ones involving the two nurses and those who encountered the doll's strangeness with them rather than what some might regard as a less-family oriented version of The Poltergeist.

The film ran for an hour and forty minutes, which is not bad considering the movie's fast pace. I ended up sleeping the moment I got home, preparing for another 9-hour verbal beating from customers who're expecting their money

The Fun and Weirder Ways of Learning: The ABCs of Death 2 (2014)

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ABCs of Death 2 (2014)
Starring: Martina García, Béatrice Dalle, Laurence R. Harvey (And A Whole. Lot. More.)

Straight from the creepy stopmotion opening of paper children being mutilated during playtime while a chilly humming tunes along the gory chaos, I can tell this follow-up of 2012's experimental short film compilation really took its time to improve itself. (So much that I re-watched it three times!)
animated mutilated children; ABCs of Death 2, did God send you to me?
While it's still a mixed bag, the fact that these shorts have more focus on the subject of death, one who is expecting the same craziness of the first will surely be surprised on how much these entries took the idea by heart and delivers us an array of wittier, funnier and most importantly, messier ways to die and learn our Alphabets. So, without further delay children, here's our ABCs of Death, again! Oh and also, like all of my reviews here...

WARNING! THE FOLLOWING POST MAY CONTAIN SPOILERS!
SHIT LOAD OF SPOILERS!

A is for Amateur
Rating: ***1/2

Completely by surprise, our first alphabet starts off fun: we see a hitman prepares himself to assassinate a drug-sniffing target who just so happens to be residing in a fancy apartment. In with the guns and into the air vent, he successfully infiltrates the system and murders the cokehead and his lackeys. Or so we thought.

Beautifully and effectively edited, with a touch of ironic (and darkly humorous) bloody comedy, A is for Amateur starts off our list with the much needed bang that was missing from the first, properly settles us in place as the rest of our shorts ready themselves.

Bodycount:
3 males shot
1 male dies from his injuries
1 male shot on the neck
Total: 5

B is for Badger
Rating: ***

What happens when a wet blanket of a professional reporter, doing an article about how the manufacturing of power plants affect the local wildlife, gets a carefree camera crew? Well whatever it'll be, it involves a badger hole. Again keeping the dark humor alive in this compilation is this short mockumentary that's, while brief, got  me chuckling with its simplicity. Oddly enough, I was glad that we never got to see the creature up-close, as it kinda helps the funnies for this entry and the ironic ending.

Bodycount:
1 male torn in half
Total: 1

C is for Capital Punishment
Rating: **

This one kinda disappoints me; it's nothing more than a story of a man wrongfully accused of murder being trialed and sentenced to death by an entire town until one of some of them found out they might be killing him for no reason. What should have followed was an intense race against time to stop a real injustice just seeing this is a short horror film, I kinda saw how the ending was gonna play out so it wasn't much of a big surprise.

Positives from this entry would be the cool gore effects and the working cathartic element but the plot itself was too simplistic to entertain me.

Bodycount:
1 male smashes to a windshield
1 male killed in car crash
1 male beheaded with an axe
Total: 3

D is for Deloused
Rating: ***1/2


A surreal animation from the genius who brought us the underground horror animated short The Cat with Hands, it shows us a bizarre situation concerning a captured victim of some leather-clad trio (who more or less resemble Hellraiser cenobites) taking revenge when a demonic louse gives him the opportunity to get back at them, but with a price. Creepily gets into your skin, the stopmotion short is as nightmarish as it'll be, expressively imaginative with its ghoulish concept and characters, some of the good reasons to praise this entry and its director.

Bodycount:
1 male beheaded with a blade
1 male beheaded with a blade
1 male beheaded with a blade
1 male stomped on the head
Total 4

E is for Equilibirum
Rating: ***


And jumping back to a lighter tone is this short by the director behind Juan of The Dead, about two castaways who find their friendship tested by the arrival of another castaway. Slightly misogynistic but overall a funny black comedy that's strangely warm in the end, the entry has this TV commercial tone that kinda hits the right combination of pacing, tone and unexpected last minute laughs.

Bodycount:
1 female killed by a thrown coconut
Total: 1

F is for Falling
Rating: *


An Israeli woman is caught in a tree by her parachute and is found by a hostile Palestinian boy. What soon follows was something I hardly cared about cuz, well, I never cared about anybody in this short. I'm sure this has some sort of social commentary about the wars between the two countries these main casts represent but politics and power struggle was never my thing. Add the lame death in this short and you got one unsatisfied viewer.

Bodycount:
1 male fell down a tree
Total: 1

G is for Grandad
Rating: ***

When an old-timer gets fed up with his snooty grandson, you would expect a berating or two from the old guy, but to find the old guy sleeping in a mattress? Expect the weird in this entry, as well as a nice kill and a shot of of some guy's wrinkly, shrivly sack. All in a neat package that's worthy of some laughs and gross-outs.

Bodycount:
1 male stabbed on the neck
Total: 1

H is for Head Games
Rating: *

Perhaps the only other animation in this collection, the short features two lovers kissing, only to end up violently attacking each other with an array of surreal weaponry and mutilations. It's craftily impressive as far as surrealism goes but I'm not to keen to this short. Perhaps it's too weird for its own sake to enjoy in anyway? Yeah, probably.

Bodycount:
1 male and 1 female mutilates themselves in a surreal fashion
Total: 2

I is for Invincible
Rating: **1/2

Now this is something I wish my country would do more, especially since the director here and the short itself is Filipino!

When an old crone refuses to die due to a cursed stone inside her body, her young benefactors try everything they can to get rid of her, much to their frustration. It is lacking some story and the acting is cheesy, but the tone is comic and the gore effects were the best I'd seen! Still makes me wonder why the big shot directors from my country can't continue making fun films like this properly?

Bodycount:
1 female decapitated with a cleaver
Total: 1

J is for Jesus
Rating: ***

When a gay man was caught passionately in love with another, his father hires a couple of men to kill the lover and brutally punish him under an extremist faith. That is until something intervenes. I like this entry for reasons that it closely resembles a cool slasher, all the while stabbing at the subject of homosexuality and how some organized religion abhors this to the point of extremes. Gory and haunting, there's also a point up for its well-deserved "happy" ending.

Bodycount:
1 male seen bloodied and smothered with a plastic bag
1 male bludgeoned with the club end of a scythe, beheaded
1 male killed with a crucifix cattle brand
Total: 3

K is for Knell
Rating: ****

And lo, the first short film in this collection that I fell in love with instantly!

A woman looks out from her window and notices a strange floating orb of liquid suddenly plaguing a nearby building. She watches as all its occupants suddenly turn violent and murders anyone they can grab. Afterwards, they pause and stare at her. Before you know it, whatever happened to them now made its way to her room, possibly to succumb her to a similar fate.

The short has this impressive Lovecraftian feel to it, dreadful and unsettling mixing quite well to deliver a feeling of disturbance not often felt in a short film at this caliber. Beautifully shot and chillingly scary, Knell is an instant fave!

Bodycount:
1 victim murdered
1 victim thrown off a building
1 victim stabbed to death
1 victim murdered
Possibly more victims murdered offcamera
Total: 4+

L is for Legacy
Rating: 0

...What the fuck was this? As far as my brain could comprehend, Legacy was about some ritual gone wrong , resulting to some monster (that's obviously a guy in a cheap costume) killing some people. Everything else about it was either a blur to me or something that had no clue about. I'm sure this short would have worked a lot better if it was a bit longer, perhaps explain a thing or two for those who aren't familiar with the subject (it's obvious this is some African ritual) but as a short, this is the suckiest among the entries.

Bodycount:
1 female rots
1 female clawed on the gut
1 male impaled by a levitating branch
Total: 3

M is for Masticate
Rating: ***

The winner for this film's contest where aspiring horror directors tackle deaths starting with M; Shot in slow-mo, Masticate had a fat guy running down a street in his skippies, attacking anyone he can get his sweaty hands on while a trippy stoner music plays in the background. A bit fun, obviously tributing itself to a short from the original ABCS of Death, the entire film is crisp, crazy and cuts to a little twist that's a tad obvious with the title given to the short. Overall a worthy addition, with its fair share of shocks and laughs.

Bodycount:
1 male shot on the head
Total: 1

N is for Nexus
Rating: *1/2

Also titled as A Halloween in New York, Nexus is an impressively edited tale of a guy and a girl meeting up for a Halloween date, all the while cutting back and fort to a cab driver being argued by his passenger. As much as I want to love this, the fact that I kinda saw the ending a mile away killed some of the tension, thus I'm not too happy with the result. Death happens and that's it. Kinda lame.

Bodycount:
1 boy hit by a bike
1 male hit by a car, lands on his head
Total: 2

O is for Ochlocracy
Rating: *1/2

And here we go with our first Japanese entry; imagine a world where zombies nearly overran humans but somehow regained their intelligence thanks to a miracle drug. Now, they set the remaining humans up for trial for "murdering" their kind, in a silly and twisted EC comic-esque scenario.

Now, I like the idea, there's a whole lot of laughs that you could get from this, but the quick pacing and the cartoonish atmosphere wore out on me quickly, leaving me to question myself if that was all to it? This could have been better as a feature, or at least if it was a bit longer.

Bodycount:
1 girl shot on the head
1 male executed via electric chair
1 female executed via electric chair
Total: 3

P is for P-P-P-P Scary!
Rating: ***

This is probably what The Three Stooges would be if they were plunged into something surreal and creepy; a trio of criminals (who two of them have long pointy noses for some reason) find themselves in the middle of darkness and finds a man in a rocking chair with a baby. The man wakes up, dances a happy Scottish dance for them before blowing out their only light. When they lit up again, they'll see something scary (and/or silly), and soon dwindles down one by one. Weird, funny and slightly creepy, nothing can beat that!

Bodycount:
2 males found melted
1 male presumably killed
Total: 3

Q is for Questionnaire
Rating: **

A man is given a free intelligence exam while the shots coincides with him being surgically de-brained. Why is something they keep as a surprise in the end but for honesty's sake, it's kinda funny. Not much from this one; apart from the painful looking operation and gooey gore, the short feels a bit too easy for any shocks or scares. Then again, couldn't blame them for trying.

Bodycount:
1 male surgically had his brain removed
Total: 1

R is for Roulette
Rating: *

Two men and a woman in a basement, taking turns in a Russian roulette. In black and white. Some called it intense, others called it gripping, I find it boring.

Not wanting to sound snippy but roulettes are creepier if done alone or at least with just two "participants". Even more if they're been coaxed by a large crowd, now that's creepy! This, sadly, felt too drawn out that even the unexplainable twist ending in the end could not save it. But then again, this might be just me.

Bodycount:
1 female shot on the head
Total: 1

S is for Split
Rating: ****

A husband on a business trip phones his wife at home, only to have their conversation cut short as a masked intruder breaks inside their house and hunts down the wife. All of this shot grippingly in split screens. It's quick, nasty and brutal, Split easily won a place among my faves as a Home Invasion, a horror-sub-genre I'm a sucker for, as well as surprising us with a twist we never saw coming.

Bodycount:
1 female brained to death with a hammer
Total: 1

T is for Torture Porn
Rating: **

From American Mary's Soska sisters, a porn studio molests a prostitute they picked up, something they will quickly regret as she hides something deadly underneath her skirt. A fine example of weirdness out of nowhere that works comfortably as a short film, but it feels a bit rushed, as if nothing almost happened until the last minute, and even that was quick-cut into an editing artwork, but at least this was far more entertaining than the sister's feature films...

Bodycount:
1 male strangled
1 male sodomized
1 male bitten on the face
Total: 3

U is for Utopia
Rating: *1/2

Set in a future where everybody is perfect, one unattractive man gets singled out and publicly executed. And much like the case of Nexus, I find this hard to enjoy coming from the fact that this plot had been done to death and there's barely any surprises at all. Seriously, how many times had we seen a film where people gets executed in public for being different? Perhaps if the short was a little longer, it would have done better but I'll give it points for it's polished quality and that cool looking Cop-Bot!

Bodycount:
1 male incinerated
Total: 1

V is for Vacation
Rating: ****

And yet another found footage film, Vacation had us watching a boy video-calling his girlfriend while on vacation. Started out sweet until his bestfriend shows us, steals the phone and showed us what really went on that night. It wasn't pretty and it ain't gonna get better. Gritty, mean-spirited, exploitative, intense and very bloody, if my choice of words doesn't make you very curious about this short then you're either a failure as a horror fan, or I'm not doing enough to express my love for this entry. But seriously, the wait was worth it for this short!

Bodycount:
1 male stabbed to death with a screwdriver
1 male fell off a balcony
Total: 2

W is for Wish
Rating: ****

What begins as a toy commercial for some action figure playset, one boy's wish to help their hero in an epic battle got granted magically and puts these two up in a world less magical and more doomed (and messed-up) than they imagined.

Mean spirited all the way, with some of the most demented twists to come out from what a little boy would picture his fantasy land (kinda like what Michael Bay is doing with Hasbro's Transformer franchise. the robot Gorno's getting more extreme!), complete with monstrous mutants, merciless armies and an Eldritch overlord. Juice it up with a very unsettling ending and you'll get this nightmarishly fun short!

Bodycount:
An army is seen being slaughtered
1 male shot
1 male speared through the head
1 male had his head shot off
1 male seen disemboweled
1 boy burned to death
Total: 5+


X is for Xylophone
Rating: **

Starring Insides' Béatrice Dalle as a babysitter going bonker after listening to the kid's xylophone playing, the short was sortah predictable. As a two person act, I quickly knew one of them's gonna go bite the big one and seeing this is made by the same folks who filmed movies where pregnant women and young boys were victimized by deranged stalkers and maniacs in clown suits, yeah, that girl was so dead. It's gory, yes. Messed up? Oh, definitely! But not quite enough to get me upset to the gut. In fact, my initial reaction was more like "okay, so the kid's dead. Who else wants that slice of pizza?"

...I was eating pizza watching these films.

Bodycount:
1 girl mutilated to the bones
Total: 1

Y is for Youth
Rating: ****

A melancholic piece about a teenage girl's violent fantasies against her neglectful and abusive parents, this visually surreal and impressive look into a troubled girl's mind win a praise worthy rating for its intense savagery, despite being altogether cartoonish and silly, and an effective direction. It's creepy and saddening, something that rarely works for most full feature these days.

Bodycount:
1 male mutilated by a guitar growing out of his mouth
1 female broke apart into egg shells
1 male and 1 female killed with a cutter
Total: 4

Z is for Zygote
Rating: ****

Now this is how you end a short film collection!

Perhaps one of the more effectively disturbing and visually impressive entries, the story centers a woman who managed to stave the birth of her child for 13 years and now lives with a preteen daughter residing inside her womb! What follows is a deranged turn of events that's bloodier and weirder than any of the other shorts combined! With a haunting atmosphere that's chilling to the bone and practical effects best seen to be believed, the entry seals the deal and concludes this cavalcade of nightmares the right way!

Bodycount:
1 cat killed with a hammer
1 female disemboweled
Total: 2

All in all, I have the most fun with this! Noticeably the death toll is awfully lower than the last movie but, hey, so long as these things live up  to the wild and demented nature that is horror then I'm all up for his! And to think, after two years we'll have our third collection! If this is any sign of further improvement, I say BRING IT ON!

Total Bodycount: 59+

Mr. Goodnight's Return: See No Evil 2 (2014)

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See No Evil 2 (2014)
Rating: **
Starring: Glenn Jacobs, Danielle Harris, Katharine Isabelle

In 2006, WWE Production's first feature release was a simple yet entertaining trashy slasher called See No Evil, starring Kane as Jacob Goodnight, a hulking, hook-and-chain wielding maniac raised with a zealous look in life, murdering anyone he counts as a sinner. It was a quick run through all the basics of a teen-kill slasher movie, including a gory kill count and stereotyped casts, but at least it was a fun one at that with its cheesiness. Now, eight years later, Kane returns as Jacob Goodnight once again in this rather unneeded follow-up, somehow his character surviving getting an effin glass shard through the heart.

Starring Danielle Harris as Amy, a young perky coroner who's supposed to be celebrating her birthday the night the police discovers the massacre Jacob left for them. Finding out that they'll be receiving the bodies for an entire evening worth of work, including that of a thought-to-be dead killer responsible for the others, Amy's work colleagues surprises her by inviting most of her friends for a night of partying inside the morgue as contemplation for missing her shift off.

However for them, Jacob was far from dead; now awakened, masked and armed with an array of conveniently sharp and pointy medical tools, he stalks and kill his new prey one by one, resuming his tirade against "sinners".

While I try to overlook the fact that there was no way for our killer to be up in his feet, walking and killing from an injuries he received from the last movie (I mean, he DID survived years with a hole at the back of his head from a gunshot), this movie can't help but feel watered down and virtually inferior in every way from the moderately entertaining first, starting with a killcount that is noticeably lower. This is never a deal for me unless the way these targets were snuffed out was rather uninspired, which apparently was the case for this movie as not only they were killed off in the simplest manner (necks broken, offscreen stabbings and eye gouging. Simply disappointing seeing he's in a building full of medical equipment. Nurse 3D certainly shows how it's done!) but it all happened way too soon that we're left with only two surviving casts playing hide and not die with the killer for the thirty-minute remainder of the run.

What's worse was that none of these doomed characters were even worth rooting for; not that they were awful, but they're just so dull that I barely cared if they'll or not. The least they could do (or rather, what the Soska Sisters (American Mary) could had done in their direction) was to die extravagantly at the hands of our killer but, as mentioned before, they were lacking on that department, too. Harris is still hardened as ever, though, quite likable too so her character's fate does come quite a shock.

The positives was that they brought Kane back to don the abused yet still dangerous persona again, though now he wears a clear mask that, honestly, wasn't necessary, as his overly-religious presence is terrifying enough, fueling his rage especially on that one scene where he berates a dying victim as a whore. Then again, the almost-undead angle for the character can be an odd experience; it was like watching Three Finger from the first three Wrong Turn movies come back again and again after accepting punishments that easily killed his brothers. The believability of Jacob's revival wore off quite fast as the final shock twist was shown in what one might believe is an indication of a further franchising.

I can't say it's a total waste since it was getting good for the first half, but with the flaws peaking almost unto an unacceptable level, See No Evil 2 stumbles into mediocrity for me and I honestly don't feel like rooting for any more sequels from this franchise unless, that is, they change directors and boost up the gore again. You know what they say: best not to fix what wasn't broken!

Bodycount:
1 male strangled, neck snapped
1 paraplegic male found with stab wounds, bled to death
1 female had her neck snapped, choked to death
1 female nearly beheaded with a saw-toothed machete
1 male ran through with an electric knife
1 female stabbed on the gut with a saw-toothed machete
1 male had his eyes gouged out
Total: 7
Images (c) Google

Post. Publish. Infected: V/H/S Viral (2014)

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V/H/S Viral (2014)
Rating: **1/2
Starring:  Emmy Argo, Amanda Baker, Rim Basma

Remember how V/H/S/2 gave us a promising look into the franchise by beating the first film as an entertaining found-footage anthology in almost everyway? Well my friends, Viral just knocked it back, not only to where it started, but perhaps a few more back.

Viral ditched the House full of presumably evil VHS tapes element and went on to something more "out there"; the wraparound, titled Vicious Circles, had us watching a video crazed teen boy trying to capture an unusual police chase involving that of a demented ice cream truck after finding out that the event was happening just around the neighborhood, much to his girlfriend's displeasure. As he ventures outside his house to catch the chase, his girlfriend was suddenly "infected" by a strange viral video that puts her in a trance and walking to near middle of the road. When the chased ice cream truck drove by, he finds her missing and assumes whoever was driving the truck kidnapped her.

Much of this wraparound revolves around him trying to catch up with the truck in hopes of saving his girlfriend, all the while we see people either dying trying to record the same chase or getting killed by accidents caused by it, as well as those who, somehow, gets infected with the same viral video that puts them in a homicidal rage.

Comparing this among the rest, Vicious is the lesser of the two awfuls in this anthology since, for a chaotic death porn, it's pretty intense if not altogether depressing as random acts of depravity and violence was simply bombarded at us in a near unforgiving manner. It's bleak but my true and only complain about this wraparound was it it makes no sense how it all connects with the segments, with each just popping out of nowhere (or in Viral's case, out of the static) and just happens. As if the crazy editing made it hard enough to follow this film but in the end, it raised more questions with its non-linear narrative and grimly mysterious nature, giving us something to ponder which I'm sure most of us wouldn't even bother with. For all we know was that whatever evil that forces people who watched those VHS tapes from the last two films to do or turn into nightmarish beings had finally made its way out of these houses and into the unexpecting public. Dark, grim and insane, but plot-wise? Not so much.

Now, the segments; it seems like the further this franchise goes, each entry is one segment shorter than the last. Now with only three segments, the first was undoubtedly the best of the bunch, titled Dante The Great, which is about a pathetic wannabe magician's sudden success in the world of illusions, thanks to a cape that was believed to have been owned by Harry Houdini himself. It somehow allowed him to do real magic but for a price: it must be fed!

Uniquely shown as a Found-Footage hybrid, utilizing everything from news interviews and clips, shots from security cameras, SWAT cams and Skype cameras, the segment was an entertaining piece despite it's more than obvious and ridiculous looking use of CG. It had energy, a quick pacing, cheesily acted yet interesting characters, and one of the nastiest magic-based massacres I'd seen in a while. It was corny in nature but nonetheless fun, this segment that had me excited for the rest and with good hope, the next segment didn't fail to disappoint so far.

The second short was Parallel Worlds, concerning a Spanish man, a husband and a scientist, experimenting with a proto-type Dimensional Door that opens other realities. The footage shows what happened that one night it worked, meeting another version of himself in a world similar yet different. Out of scientific curiosity and excitement, he agreed with his other-self to switch places for a couple of minutes, to see what each other's worlds look like. Unfortunately for our scientist, the other world wasn't as safe as he hoped for and soon he is struggling to get back and save his wife from something frightening and dangerous.

It's weird for the sake of weird but, just like the first segment, Worlds had this cheesy feel that made it bearable in its short run and enough tension mixed in to keep us at the edge of our screen until the shocking if not unexpected ending.

Unfortunately, this is as far as Viral goes to keep itself entertaining, as the last segment blew it all. TitledBonestorm, a trio of skateboarders with Go-pro cams on their helmets and skateboards, and their video recording fourth guy, travels to Tijuana to record all of their heaviest tricks for an awesome video but ends up fighting for their lives against a group of voodoo worshippers trying to awakened something, well, big and hungry. This should have been insanely fun if it wasn't for the annoying shaky quality of the videos. Not to mention all of those close-up shots of gored up heads and impaled bodies; now, I don't mind gory close-ups, really I don't, but to repeatedly bombard us with it just for the sake of gore with no other redeeming factor whatsoever, this is just desperate.

With no likable characters and virtually no story behind whatsoever, Viral's last segment just trailed itself with blood and ran into mediocrity just like that. Nothing frightening, nothing shocking, just loads and loads of gore shots that made this segment the perfect example of meaningless death porn.  So what exactly does this do for the entire movie?

Like the first V/H/S movie, Viral is a mixed bag, a literal half-and-half that balanced out the two bad entries with two worthwhile ones. Could have been forgiven if wasn't for the last effin entry, which makes me now wonder if that missing short, titled Gorgeous Vortex, would have improved this film. This being said, I might keep a lookout for Viral's future releases in hopes it'll include all of the segments and possibly redo this review but for now, all I can say is that this franchise now had its close call once, let's all hope it'll do better again!

Bodycount:
1 male ran over by a truck
1 rabbit flayed
1 female beaten to death
1 female disappears inside a cloak
1 male had his neck broken
1 male had his arms broken, crushed
1 male had his neck broken
1 male flayed open
3 males shot dead
1 male set on fire
1 male impaled on a bed of nails
1 male dropped dead
1 male shot dead
1 male shot dead
1 male disappears inside a cloak
1 female killed offscreen
1 male fell off a bridge
1 male dragged behind a truck, dropped head first unto the road
1 male had his face devoured
1 male knifed to death
1 dog stabbed on the head with a barbecue fork
5 males and 2 females stabbed to death
1 male and 1 female immolated by explosion
1 male shot on the head
2 males shot
1 male beheaded with a machete
1 male caught on fire
1 male impaled through with a sword
1 male stabbed to death with a rib bone
1 male bludgeoned with a skateboard
1 male bludgeoned with a skateboard
1 male beheaded with a machete
1 male shot on the head
1 male bludgeoned with a gun
1 male bludgeoned with a skateboard
1 male bludgeoned with a leg bone
2 males and 1 female killed in freak car crash
1 female bludgeoned to death
Total: 50

And The Blood and Bloodline Continues: Wrong Turn 6: Last Resort (2014)

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Wrong Turn 6: Last Resort (2014)
Rating: ***
Starring:  Anthony Ilott, Chris Jarvis, Aqueela Zoll

It's been ten years now since the Wrong Turn franchise started, no one expected it to last this long but here we are in its sixth movie. So far most of the entries tried to keep it simple: teens in the woods hunted by mongoloid cannibals, kills in bloody red. After the first film, each entries added their own flair to keep the series alive, from gory reality TV parody to simply just having one cannibal killer, from Prequels taking place in the snow to ones taking place in a cardboard town trying to be passed on as an authentic one by the producers.

Now, Last Resort tries something new for this seemingly never-ending franchise; they attempted a story!

Enroute to the West Virginia hills, Danny was about to inherit Hobb Springs, a mysterious and very cryptic hotel/spa resort secluded deep in the woods. Despite not knowing who inherit him the hotel, an issue for him seeing he knows nothing of his past, he tagged along his friends and girlfriend to see what he is getting into and, in a way, he was impressed on what he saw and plotted with his buds to share the inheritance.

That was until the hotel's hired helps Sally and Jackson convinced him to respect his inheritance by showing him a bit of history as he is believed to be a descendant of one the founders of the land, thus entitling to a responsibility, a sense of pride like no other, and a deadly secret involving a trio of mutated hillbillies brothers with a taste for flesh.

One thing I like about this entry is how they tried to focus more on building a workable story, in a tone completely different from the others before. If it wasn't for the presence of the mutants Three-Finger, Saw-Tooth and One-Eye, one might not even knew this was a Wrong Turn movie as these villains are pushed aside for most of the run in favor of a plot concerning our main character coming in terms with a past he never knew. While this story is not without its plot holes and continuity-based head-scratchers (whatever happened to Maynard, the mutant brothers' guardian from Part 5: Bloodlines? When exactly does this film fit into the timeline?), it is a nice stray away from the norms of watching dumb, sexually hyped teens and it was quite interesting to watch before the ball got rolling with the kills.

Speaking of which, it is also noticeable that Last Resort wasn't aiming for a building bodycount; rest assured that the gore is ever present (with some of the killings quite imaginative as they are gruesome) but due to the fact the film as story-driven, random murders wasn't a high priority. Nonetheless, there's enough twists, shocks and some unintentional laughs caused by some weird new angles and elements thrown into the mutant brothers' mythology to make up for the lack of count, some of which ties well with the continuity, others raising more questions.

Of course there are some who will be offed a bit by the film's sudden change of tone but I personally enjoyed Last Resort for its efforts. Part of coming from the fact they tried and made it worked, and some coming from me being a fan of this franchise as a whole. (Part 3 is coming around to me but I'm still giving it a low rating under quality) The acting was a lot better this time around despite some odd characterization, production quality a bit more satisfying and less obvious with its budget, and the mutants are as fun as ever even though their make-up looks a bit rubbery.

At this rate, I'm sure Wrong Turn is far from finished from entertaining our darkly and gory needs though I'm not quite sure how will they follow up from this. Well, guess its better not knowing and just enjoy what we have now. Who knows? Maybe they'll surprise us with something grander and hopefully should get us back to the franchise's original roots as a backwoods survivalist slasher.

Bodycount:
1 male shot through the head with an arrow
1 female beheaded with a hatchet
1 female pinned to the wall with a thrown hatchet
1 male shot through the head with an arrow
1 deer shot with an arrow, throat cut with a hunting knife
1 female had her throat cut against a machete
1 male bludgeoned with a statue, smothered with a pillow
1 male had his throat cut with a machete, disemboweled
1 male bursts open with a fire hose shoved into his arse
1 male hacked on the head with a machete
1 male bludgeoned to death with a ring of keys
1 female hacked on the head with a hatchet
Total: 12
...How did it come to this?

The Phantom of Texarkana Strikes Again: The Town That Dreaded Sundown (2014)

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The Town That Dreaded Sundown (2014)
Rating: ***1/2
Starring: Addison Timlin, Veronica Cartwright, Anthony Anderson

Though I'm not a very big fan of the original Town That Dreaded Sundown (1976), I do pride myself of seeing that piece of camp history well loved, if not respected, by true slasher fans. It was an odd experience, seeing it during my years when I'm (re)discovering the world of slashers for the first time, that weird mix of psycho-drama, comedic cheesiness and slasher film dread being my entertainment for that one weekend afternoon.

Almost four decades later, this name sake came along, a surprisingly well-made film that not only acts as a reboot but also a meta-sequel of its own style.

Set in 2013 in the God-fearing town of Texarkana, it appears that the Phantom has returned 65 years since his disappearance at Halloween night, once again targeting young teenagers in an elusive killing spree. With the entire town rattled, law enforcers from both sides of the state and too some religious groups try their best to prevent any more murders but with the killer as cunning as he was before, the death toll continues.

One survivor of the very first night the murders began, a young high schooler named Jami, decided to look into the murders herself seeing that the killer had chosen her over her boyfriend to survive for a purpose, terrorizing her with creepy phone calls, emails and letters. With the help of her new lover, Jami will soon find out the truth about the murders, both in the past and in the present, all the while trying to survive the Phantom's increasingly violent attacks.

First of all, this isn't a remake of the strictest sense, more of an original story that took a lot of elements from the original Town as well as using that very film as a red herring of sorts. Quite a nice craft if I say so myself even if the plot of using a movie prior to its sequel or remake as an in-world element had been done a few times before, most notable (and notorious) being the story for The Human Centipede 2 Full Sequence. What made this film's take more unique was that it perfectly balanced out the fictional setting of said in-world movie with what's best described as looser story based on the real-life historical killing spree, resulting to a film that's both respectful of the movie it was based on and an original slasher of its own. This said, much of the horror element of the new Town was closer to that of a true slasher, with the sex=death cliche taken to a literal sense with a bit of zealous and, on one kill, homophobic take, each murder cruel, bloody and incredibly intense. I also took notice of the film's tone, which is gritty in an exploitation kind of sense, all the way down to the watered-looking yellow tint picture, the town's oddly 70s inspired backdrop (from the clothes to the vehicles, despite taking place in the 2010s) and stylized retro camera shots, elements that worked quite well for a remake tributing the original.

Of course, this kinda became an issue for those who're an avid fan of the 1976 film; what made the original Town frightening was that it had a sense of realism despite some of its cheesier parts thanks to its documentary-like take as well as being made and released years closer since the original killing spree. The 2014 Town is clearly a movie made from one's imagination, made to thrill the public and entertain horror fans, relying on suspenseful stalkings and gored-up killings. Not really a bad thing since it did cater enough to stand on its own too feet without relying too much on people recognizing the movie it was remaking; in fact, since the original Town is a red herring frequently shown through out the film playing in a theater or two, it kinda advertises it and plays around with the notion of what was fictionalized and what was not. The acting delivers a lot better compared to the the original as well, which helped the film drive through parts where it needed to slow down to focus more on the investigations, both amateur and not, dwelling down to a cliched twist ending that could have been a lot longer and engaging but nonetheless satisfying.

The Town That Dreaded Sundown (2014) is a slasher that deserved to be warmly welcomed by fans of the original and those who're looking for a worthwhile remake/sequel these days. While it isn't scary, it is stylized and engaging, a combination that makes any cliched horror movie a fun ride.

Bodycount:
1 male stabbed to death with a knife, face mutilated
1 male beheaded with a knife
1 female knifed to death
1 male shot dead (?)
1 male seen covered in stab wounds, shot on the head
1 male repeatedly stabbed with a knife-attached trombone
1 male and 1 female killed in car crash (flashback)
1 male shot on the eye
1 female knifed to death
1 male knifed into pieces
1 male shot on the head
1 female shot on the neck
1 male shot
1 male found in pieces
1 male shot on the head
1 male shot to death
Total: 17

Assly's True American Horror Presents: Sledge (2014)

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 Hello Boys and Girls! Welcome to another episode of:
Today we will be covering one of Brain Damage's current slasher release, which is about a madman murdering teens in the woods with a sledgehammer, spatting out non-funny scripting with an acting resembling a wooden board. Obviously, this is gonna be hell.

Sledge (2014)
Rating: *
Starring: Dustin Bowman, Rachel Cornell, Tino Faygo

The movie is a film-within-a-film, an approach that absolutely does nothing for itself since the running is only an hour and fifteen minutes, and Sledge runs for 64. Moving pass the crappy "wraparound about a girl yakking over her phone while watching Sledge, horror shows hosted by a "werewolf" handpuppet, and a trailer for a Texas Chainsaw Massacre-esque exploitation known as The Amish Paradise, we follow a group of teenagers going to the woods for some badly acted quality time and drama involving relationship issues, unknown to these thespians that a masked psycho is out skulking the woods to kill off some people in his make-believe video game world.

And that's sums everything up, actually. Nothing completely special but the fact that Sledge was intentionally bad, explaining the horrendous acting and characterization. Sadly, as much as I had seen plenty of titles taking this approach, Sledge lacked the charm and wit that makes the likes of, let's say, Truth or Dare: A Critical Madness or The Nailgun Massacre so bad that it's good; a simple plot is no problem, but for it to laze around on uninteresting character's shenanigans for a good bulk takes a lot of toll for it to be an entertaining mess.

Then there's the the lackluster kills; A note to the producers, just because the killer uses a sledgehammer as his murder weapon doesn't make any of his kills any more unique. To be honest, Sledgehammer (1984) and Methodic already got this with actual, workable results. Sledge's kills sadly lacked the red stuff and are too quickly executed to spark a proper amount of thrills, two things that would have saved an otherwise terrible slasher movie.

Add in an audio muffled as heck, and camera work that's just as lazy (watching teens talk from one single angle was never exciting. Never.), Sledge's flaws were overwhelming enough to ruin the whole movie, a fact that the producers may had seen coming given to the dull ending they came up. The end result is a frustrating, unfocused and misdirected dirt clod that's best forgotten to had existed. Yes, I am aware that the film only used up $800 in budget but a lot of film-makers out there did a lot better job with such an amount creativity-wise.

Seriously, Sledge shouldn't exist. It offered nothing new for the sub-genre and may had even knocked it back a few years.

Bodycount:
1 female gets a sledgehammer to the face
1 female had her head smashed with a sledgehammer
1 male and 1 female had their heads knocked in together with a sledgehammer
1 male knifed on the gut, head smashed with sledgehammer
1 female impaled through an upright tree branch
1 male knifed on the throat, smashed with a sledgehammer
1 female knifed on the gut, mashed with a sledgehammer
1 male knifed on the back, sledgehammer to the chest
1 female killed offcamera
Total: 10

Under your bed: Don't Go To Sleep (1982)

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Don't Go To Sleep (1982)
Rating: ****
Starring: Dennis Weaver, Valerie Harper, Robin Ignico

A family of four moved in to a sleepy little town in California in hopes of moving on from the tragic death of their eldest daughter, Jennifer. Parents Phillip and Laura try their best to maintain a picture perfect scenario but it soon crumbles down when Laura's mum decided to join in, much to the children's disapproval. Days pass by, Phillip begins drinking (again) and the kids bicker with each other more constantly, much stranger is that their little girl, Mary, starts to hear voices from under her bed and begins catching glimpses of their late eldest.
Who the heck wears a pink ribbon in their 80s?
After a blazing incident that almost burnt Mary to death one night, the family begins to suspect that their girl might be in need of professional help, believing that these incidents, as well as her visions, might indicate trauma. Of course, Mary is having none but does find someone who's willing to take her side- the ghost of Jennifer. Explaining to her young sister that the rest of the family doesn't miss her as she does, Jennifer begins hanging out with Mary, along the way plotting deadly vengeance against everybody related in blood.

When I first decided to watch Don't Go To Sleep, I never expected much from it bar a tame ghost movie with some deaths. True, it is precisely that seeing this was made for television but, much like the case of Dark Night of The Scarecrow (1980), this little screen nightmare put up the ante for creepiness and molded a pretty neat surprise in the end. A lot of this owes to the fact some of its scenes really tapped into childhood fears and anxieties; death in a family, devolution into dysfunction, and the ole-time classic "thing under the bed" are some of the dramas that may had frightened us as children, tackled here with a subtle yet brooding intensity thanks to the superb direction.
I rather have monsters under my bed, thank you!
I can definitely say Don't Go To Sleep really had it going for vintage scares, methodically and creepily switching from a supernatural family drama to a slightly disturbing semi-slasher. The kills aren't all bloody but remains shocking even for TV flick standards, some of it even memorable just for its execution, stylish camera work and the fact that it lead to an unhappy territory. Acting is quite believable for a TV movie, despite some occasional cheese and I really dig the last haunting shot before the credit rolls to an end, understanding what really went on.

The only flaw I see here is how well these scares hold on to a typical horror fan: some may find it goosebumps-inducing, others will find it outdated and barely scary. Perhaps someone with a patience for slow-burning haunting/slasher hybrid might enjoy this, but those who prefers splattery, gore-tainted bodycounters will not find a keeper here. But as far as my opinion go, I absolutely love this creep-fest, not much from the scares but more on how well executed it is. Yes, there are some slow parts and since the killings are limited to simply the family members, not a lot tends to happen in said parts save probably some bickering or casual conversations that may or may not be red herrings, but these are something that are easily overlook by the right audience.
Pizza Cutters as Slasher Weapons?
What-a next-a, America?!
I couldn't stress my respect for this movie enough so for my readers, do me a favor? If you have the time to pick a TV movie to watch in your late night viewing, I suggest giving Don't Go To Sleep a try. A little 80s chill never hurt a true horror fanatic and this title is right off the bat.

Bodycount:
1 Female suffers a heart attack
1 Boy fell off a roof
1 Male electrocuted in a bath tub with a dropped radio
1 Girl immolated in car explosion
Total: 4

To Kill God: Kristy (2014)

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Kristy (2014) (AKA Satanic, Random)
Rating: ***
Starring: Haley Bennett, Ashley Greene

Adding into the considerably small number of Thanksgiving-themed slashers, and seemingly running on a very simplistic formula, Kristy follows Justine, a studious college girl who decided to stay on campus while her friends and her boyfriend goes home for Thanksgiving. For the first fifteen minutes we see how alone she is and, save for a couple of guards, the whole place is pretty much her own oyster, so wasn't too long before she ran out of chores and other personal stuff to do and decided to go out and buy herself a snack or two.

Driving to a nearby convenience store, Justine encounters Violet, a hooded punkette with a knack for piercings who definitely gave her the chills, even more so when it became apparent she followed her all the way into campus. The thing is, Violet isn't alone; with her is a trio of masked and hooded men who are a part of an online Satanic cult dedicated on murdering random girls who they all nicknamed "Kristy", recording the kills and sharing it on a site as a sign of dedication on their war against God. Chased through empty hallways and libraries, and bearing witness as they murder anybody that got in the way, it soon became apparent for Justine that the only way to live through their game of Cat-and-Mouse is to fight back.

For truth's worth, Kristy isn't really all that; as mentioned above, it's a simple movie about a girl being stalked by a pack of merciless killers so it relies a lot on building tension, meaning we get a lot of scenes in the dark where a killer or two are just feet away from our lead, people calling out people in a thick fog, and all of those classic slasher cliches. It works, I'll give the movie that, but comparing this with its ilk, Kristy hadn't done much to improve, especially if the kills, though plentiful, wasn't all that inventive, and not to mention some little plot holes and inconsistencies. (How the heck can the Kristy killers text if they use cellphone jammers?)

Still, all's not lost; performances are pretty solid seeing the movie has one main character to focus on. Haley Bennett took her role as Justine with much quirk and gentleness around the first few minutes right before the attacks. Her character is relatively normal so she's not hard to relate and root for, especially once she decided to gut up and turn the tables on her attackers. And speaking of which, the murderous group did had their moments of being imposing; though they are human behind their masks and hoods, and their motives are a tad cheesy, they're organized and well-experienced enough to read their prey's move with so much animalistic instinct that it's threatening. And with the brooding direction of these attacks and the workable giallo-inspired tint-lighting, I can honestly say that Kristy is redeemed fairly with these fair production quality and talent.

The movie ends with an indication that there might be more coming from this murder-cult. Should this be a hint of a future sequel at hand or not, Kristy's simplistic campus slasher is watchable on its own, either rented for a viewing or bought for your growing collection. It may not had brought out anything out of the ordinary for our bodycounting kicks but at least it played the game right.

Bodycount:
1 female found with throat cut
1 female gets a throat cut with a meat hook (video)
1 female murdered, method unknown (video)
1 male bludgeoned with a baseball bat
1 male found murdered
1 dog killed offcamera
1 male hanged with a garden hose
1 male stabbed on the gut with a meat hook
1 male crushed against the wall with a car
1 male drowned in a pool
1 male hit on the head with a nailed baseball bat
1 female set on fire with sodium nitrate
Total: 12
Behind Every Tree...

A Freddy Rising: A Nightmare on Elm Street 4: The Dream Master (1988)

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A Nightmare On Elm Street 4: The Dream Master (1988)
Rating: ***1/2
Starring: Robert Englund, Rodney Eastman, Lisa Wilcox

Just as Dream Warriors marked the return of Freddy into his teen-hunting-in-dream-world game after his failed (yet interesting) attempt of supernatural possession of Freddy's Revenge, it also opened the door of opportunity for the burnt guy to be one of America's most sought for movie monster. Now in the franchise's height, New Lines was ready to do more nightmarish deaths (literally) with all the money Freddy was reeling in and so came into production this good yet undeniably cheesier entry to the Elm Street series.

A year (or two) had passed when the three remaining (and original) Elm Street children had defeated the dream-world bogeyman known as Freddy Krueger, living somewhat normal lives free of fear of him ever coming back. Save for one; Kristen, an Elm Street girl with the power to call in other dreaming teenagers into her own dream can't seem to budge off the feeling that the dream demon is far from gone and true enough, Freddy somehow found a way back into existing and starts to murder off the three, saving Kristen for last.

But before she meets her final demise, Kristen accidentally pulled in Alice, her daydreaming friend with some knowledge on dream logic and, in a last attempt to stop Freddy, passed her dream-reeling powers to the confused girl. This act unfortunately made it possible for Freddy to reach out to the newer generation of Elm Street children, more precisely Alice's friends and family. One by one, they fell victim to their own nightmares, forcing Alice to find a way to stop Freddy before he takes her and the rest of the town's children.

With the level of comic one-liners noticeably higher and the deaths elaborately more cartoonish, Dream Master marks the beginning of Freddy's downfall as a horror villain and rise as a global 80s pop culture icon. Take notice that the previous Elm Street entries had Freddy staying in the shadows, his jokes more sicker than laughable; here, he took a lot of actions in the light, his lines streaming across the comic and his kills lacked a decent amount of blood splash. Yes, the kills are imaginative, but they starting to get too imaginative as they're more cartoonishly outrageous than the last, a reason why many hardcore horror fans seems doubtful labeling this franchise as a slasher.

The way I see it, apart from being sponsored by MTV (check out the multiple TV spots within the movie), the plot is more Freddy-centered than that of the children, with only one or two teen characters focused in the entire movie. The first is Kristen, now played by a different actress (Tuesday Knight)) as the original is unavailable to fill in the role, spending a decent bulk of her screen time being Krueger-phobic which may or may not have triggered the nightmare man's return. She then bites the big one in a manner similar to Psycho's Marion Crane, dying during the progression of the film only to pass the dream killer-kicking torch to her friend Alice, an awkward goody-goody with patriarchal issues (a fact that may have helped giving this character a little more root-worthy), struggling to keep her life in check while dealing with a situation she wasn't too familiar with.

With the plot revolving more around the Springwood slasher's dream haunting and killing, even more interesting that it also resembles a sort of reboot since it now focuses on a new generation of Elm street teens, it's not too hard to have a good chunk of the film with him being outrageously evil in an inviting, near cartoon-villain manner. Whenever he is around, there's bound to be some strange crud going on until in the end, after too many of her friends have been snuffed, Alice hardens up and goes kung-fu punkette against Freddy in one of slasher history's most entertaining mano (lady-o?)-a-monster final brawl, with a gruesome (momentary) demise for Mr. Krueger himself. Now these being mentioned, it may sound like the rest of the teen casts are pretty much there just to be meat for Krueger's cutting. Well, that's a yes and a no; while only a few of them are properly developed and characterized, though some are leaning close to a parody of a character they are portraying, they are likable enough to stand out during their short screen time and you can really feel they're close.

So, Dream Master's not remotely scary, but its entertainment factor is reason enough to consider this as one of the franchise's stronger entries. With top-notch, non-CG special effects backing up the flaws and more grimly fun with our titular killer as he steps out of the shadows and into the light, the movie works for the most shallowest of reasons but still considerable with its workable story and tone, comparing it to other titles in the series, mainly Freddy's Revenge, Dream Child and, the black sheep of the family, Freddy's Dead. There are some interesting mythos thrown in here, something regarding a Negative and Positive dream gates which may attribute to Freddy and Alice's opposing sides, unfortunately this remained sidelined, seemingly forgotten in the latter sequels.

Slipping into a cheesier foray not only in terms of human-faced pizza toppings, Dream Master fairs well as a movie but as a sequel, it red lights us that our Bastard Son of a Hundred Maniacs may get sillier in his later adventures...

Bodycount:
1 male razor gloved on the gut
1 male slashed with a razor glove, drowned in water bed
1 female thrown into a furnace, burned to death
1 female suffocates
1 male razor gloved on the gut
1 female crushed to death
Total: 6

Boobs and Blood of the Crappy Kind: Porn Shoot Massacre (2009)

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Porn Shoot Massacre (2009)
Rating: *1/2
Starring:  Shelly Martinez, Naomi Cruz, Diana Prince

For the first three to five minutes we get this:

My initial thoughts? Dayum, those are some big Danny DeVitos! But after drying up and getting ready to perform in a shooting in some place, this lady soon gets smothered to death by someone wielding a dangerous pair of pantyhose. My initial thought for that? We're in for a long night.

The plot for Porn Shoot Massacre is really what it all says in the title; we got a porn shooting lead by a director with a very fake looking mustache and beard, who in turn hired seven adult actresses to star in his masterpiece. (well, it included a little guy, I'm assuming e's aiming for a masterpiece) But unknown to them, a heavy breathing brute with what I assume is a jock strap over his face is skulking around the parts, killing off the actresses and actors. Could this be someone's idea of a single man army against perversion? Well, this is a movie titled Porn Shoot Massacre, I'm dang positive we'll get a B-grade twist along the way.

Not gonna lie, this movie had his titillating moments, but for a film titled Porn Shoot Massacre, we don't get to see a lot of the forbidden fruit here. If anything, we get a glimpse of it before the shot fades to black but for a movie about a supposedly shooting of a porno where the in-movie director claims will befit the taste of the deprived masses, this is an awfully stale porno that features nothing more than girls cuddling, sexy dancing and other softcore crud. Still, what it does for the horror part of the movie is sort of acceptable. Read, Sort of! The kills had their bright red moments and by that I meant we only get to see a moment of blood and gore before we're thrown in back to watch more horribly acted soft core, which is devastating seeing the production is as good as purchasing the world's smallest violin, thus a quality as bad as an actual porno itself.

I might be getting a big uppity myself here; after all it is, again, a movie titled Porn Shoot Massacre. I'm not gonna get anything like Life of Pi in this exploitative misogynistic garbage which I'm sure was aimed for the male percentage of slasher fanatics. It's cheesy and oddly cheerful atmosphere may be the best reason for some people to see this movie but for me, I think I'll prefer my porn and horror flicks separate. Or at least as fun as Black Devil Doll.

Bodycount:
1  female smothered to death with stockings
1 male killed, found with throat cut
1 female hacked to death with a hatchet, beheaded
1 female pounded to death
1 female knifed on the back
1 female beaten with a sledge hammer, disemboweled with a knife
1 male mentioned murdered
1 male had is head crushed until his eye popped out
2 males had their necks broken
1 male killed, blood splash seen
1 male had his neck cut with a knife
1 male shot, beaten to death with a wooden plank
Total: 13

To Mock a Killing Bird: Shadows of The Mind (1980)

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Shadows of the Mind (1980) (AKA "A Heritage of Blood")
Rating: **1/2
Starring:  Marion Joyce, Erik Rolfe, G.E. Barrymore

As a child, Elise witnessed her father and stepmother drown while boating on a nearby lake. Feeling guilty that she couldn't save them from their fates, she's been institutionalized since until twelve years later, her doctor decided she's ready to return to the outside world. Alone and unsure of her own recovery, Elise returns to her old family estate and not too long, her estranged stepbrother stops by to check up on her, somewhat resulting to a string of various murders.

Coming from Roger Watkins, the same man who sat on the director's chair of Last House on Dead End Street (Though using the pen name Bernard Travis here to hide himself from his own shame), Shadows is a rare, out-of-print whodunit that suffered through a lot of unsatisfying production, so much that Watkins once tried making a flick showing the stress he endured for this film. True enough, for a movie with a short running time (75 minutes), it took 40 long, terribly acted and oddly edited minutes before the ball got rolling, leading to a fiery yet predictable twist ending that you may or may not had seen coming. (Depends on how well you know this sub-genre)

To be fair, least on my own experience, it wasn't all that bad; while the pacing is a problem, the latter half of the film sat fair with me. Perhaps I was patient at the time, the odd acting didn't bother me much and the gothic take on the bodycounting was an added treat. It was atmospheric for most of the time and the murders come off brutal even though they're low in count. By the time the big reveal was shown, it had this cheesy look to it that was simply okay.

I'm not gonna try hard to squeeze out reasons for anybody to sought this film, the truth is Shadows of the Mind had good reasons why it is so obscure.  It's close to being dull and uninspired but there are a lot more early 80s slashers out there that did worse than this. It's moody, considerably bloody and its rarity is a good ringer for collectors of rare and out-of-print trash. See it out of curiosity.

Bodycount:
1 male gets a scythe through his neck
1 male stabbed on the eye with a corkscrew
1 female repeatedly knifed, set on fire
1 male and 1 female beaten with an oar, drowned
Total: 5

A Family that Fails Together: Blood Ranch (2006)

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Blood Ranch (2006)
Rating: 1/2
Starring:  Jim Fitzpatrick, Dayton Knoll, Scott L. Schwartz

Wow, where do I even begin?

Ever wondered what it would be like if Rob Zombie never had the directorial prowess used to create the cult classic House of 1000 Corpses? Like what if he's just some wannabe horror fan living off the mediocre pay he gets from working at a local mom and pop store and then decided to finally do it and shoot a horror film with a bunch of friends, with literally no idea how to do one in the first place? Well, look no further (like, really don't!) Blood Ranch will show you exactly how House of 1000 Corpses was as a vile DIY "film".

A group of friends and a hitchhiker they picked up were headed to the Burning Man festival when they nearly ran over a bloodily beaten girl whilst taking a shortcut. Deciding to help her out, they let her in and inevitably mark themselves as targets to whoever did this to her, which is made more than obvious when a black van tries to ran them off a road. Now with their car broken, half of these kids ventures to a nearby ranch where they quickly learn that everybody living there is a lunatic. Cue in the other half of the group coming in to save their friends, who may or may not fall prey to an army of Sawyer/Firefly clan rejects, some random people being killed by other random people, and something about raping someone for the sake of the clan.

As wild and sinister as it sounds, this is as exciting as it could get; as a movie, Blood Ranch suffers from having too many characters to the point we really have no idea what to do with them; while it seems to have some primary characters that the movie focuses on, they're dull and cheesily ripped off from other horror generics, painfully done away with some equally cheesy acting that isn't even "bad-is-good" funny. There's nothing imaginative or new in this, just maniacs being maniacs, killing off people they had stored in their ranch and most of these aren't even our star teenagers! In fact, I can count by finger all those who was killed off from the main group and the monumental bodycount was just boosted up by dead/murdered guys who's there just for the sake of being there.

This is hardly a movie for any known sense, may it be a slasher, a thriller, a torture porn or even an expressive art! No, this is just a film that exists cuz the director tried too hard to impress, shock and/or upsets us, but forgets everything else that matters in an entertaining garbage that is a horror movie. Oh yeah, I'm upset alright! Upset that this shit even existed! But, as strange as it will always be, things like this always find a way to get someone to appreciate it but I'm dang sure those who will are just going through a phase. (I remember loving Fear: Resurrection or Pinocchio's Revenge as a kid, only to find out how disappointingly bad they were as I rewatch them as an adult)

With no redeemable factors, may it be the production, the acting, the gore, the scare, the kill variations, and, well, everything about this actually, Blood Ranch is a movie best buried in storage along with other unsold/ least rentable/ discount bin worthy titles out there. Sometimes you just have to wonder, who would even fund this?!

Bodycount:
1 male corpse found
1 male found knifed on the back
1 female gets a throat cut with a knife
2 males beaten to death
1 female had an arm cut off with a chainsaw, murdered
1 male dismembered with a chainsaw
1 male gets a broken neck
1 male knifed on the back
1 male shot on the face
1 female found murdered
1 male shot on the back
1 male stabbed on the gut with a machete
Total: 13

Gun Fights, Car Chases, Proper Action and Shit: Hot Fuzz (2007)

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Hot Fuzz (United Kingdom, 2007) (AKA "Blue Fury", "Raging Fuzz")
Rating: ****1/2
Starring: Simon Pegg, Nick Frost, Martin Freeman

Police Constable Nicholas Angel: born and schooled in London, graduated Canterbury University in 1993 with a double first in Politics and Sociology. Attended Hendon College of Police Training. Displayed great aptitude in field exercises, notably Urban Pacification and Riot Control. Academically excelled in theoretical course work and final year examinations. Received a Baton of Honour, graduated with distinction into the Metropolitan Police Service and quickly established an effectiveness and popularity within the community. Proceeded to improve skill base with courses in advanced driving... and advanced cycling. He became heavily involved in a number of extra-vocational activities and to this day, he holds the Met record for the hundred metre dash. In 2001, he began active duty with the renowned SO19 Armed Response Unit and received a Bravery Award for efforts in the resolution of Operation Crackdown. In the last twelve months, he has received nine special commendations, achieved highest arrest record for any officer in the Met and sustained three injuries in the line of duty, most recently in December when wounded by a man dressed as Father Christmas.

Long story short: he's effin GOOD.

Or maybe too good; some time after said Father Christmas had stuck a switchblade through his palm, Nicholas was called into office only to find out, not only was he promoted to a Sergeant, but he's also being transferred to the small and sleepy town of Sandford for reasons that he's simply made everybody else look bad in comparison. With the entire station seemingly rooting for him to move out, Nicholas had no other choice but to begrudgingly comply.

Upon the first night around town, he showed his iron will to uphold the law on anybody that breaks it by shoving four underage drinkers and an overweight simpleton named Danny to the station, much to the distaste of the locals. Things isn't going any better for Nicholas at this point when he finds out that Danny is a cop once he sobers up and will be his partner the moment he settled in.

While trying to get used to the idea of showing up in demonstration classes for gun safety, herding lost swans, and attending terribly acted stage productions of Romeo and Juliet (with the only well acted part was the kiss), Nicholas never expected a sudden turn to this predicament: the night after said Romeo and Juliet play had its run, two of its main actors was savagely decapitated by an individual in a hood and cloak. The bodies were later set up in the middle of a road, made to look like as if the two had a driving accident. Almost everybody easily dismissed this as such. Almost Everybody.

Believing there's more behind the incident than a mere freak death, Nicholas Angel began to suspect a possible serial killing when more of these accidents began popping up here and there and has no other choice but to trust and team up with his witless yet enthusiastic partner to stop the culprit in time before more bodies turned up decimated and mutilated.

Yeah, I'm positive this isn't a slasher film in the strictest sense but more or less a hybrid of sorts; for those who hadn't seen this magnificent outing from two of my most favored comedians, Hot Fuzz is the second film of director Edgar Wright's Cornetto Trilogy, beginning with 2005's Rom-Com-Zom Shaun of The Dead and ending with 2013's scifi opus The World's End, each film starring comedians Simon Pegg and Nick Frost as buddies in a comedic parody of a particular movie sub-genre (Zombies at Shaun, aliens in End), with a flavored Cornetto cone linking each entry. In Fuzz, it parodies actions flicks, particularly cop movies such as Lethal Weapon and Bad BoysII, with a bit of Italian giallo thrown into the melting pot as suggested with its murder-mystery angle and it's black garbed killer.

As one would expect from a parody comedy, double takes, bad puns and tons of visual gags are ever present in this movie but the noteworthy take in this is that the entire movie itself never resembles a parody. The plot is solid and original enough despite the number of influences, thanks to a well handled direction, pacing, timing and acting that guarantees more hits than misses with it's jokes. (Remember how the dead pan attitude-meets-cartoonishly outrageous scenario of the Naked Gun series sat well enough to keep the films entertaining? Everybody in this movie nailed it!) So despite the near two hour running time, let it not fool you as once you get into the zone, the film'll move fluidly and keep you entertain with enough gags, character developments and thrills til' the heavily edited closing scene that's so awesome the editor's head exploded! As suggested in the pop-ups! You gotta love pop-ups! 

So what's in it for us bodycounters? Well, as I will repeat, this isn't your classic slasher film set-up, but comparing this to the duo's previous horror-comedy, the gore is awfully chunkier and brighter in red. Without spoiling much of the fun, the build-up to these murders are superb and some of the aftermaths will leave you gawking in awe, hyped up for the action scenes that follows, or chuckling at the odd funnies the characters will spat at the moment. If I could compare the story's flow with others, I would say the latter bit of the movie reminds me of the tone direction of the Stallone-starring Cobra (1986), an action-slasher hybrid that started off bodycounting helpless victims before switching to a more high-octane shootout/ brawl-out finale. If you love a good gun fight with your gory murder mysteries then the Fuzz is your haven!

Gun Fights, Car Chases, Proper Action and Shit are wholesomely promised and granted here in Hot Fuzz so may you be an individual of wide taste or a curious horror fanatic, make no mistake of missing out this film. I would go as far as calling this the most entertaining ( if not the best) of Wright, Frost and Pegg's Cornetto Trilogy, though I worship each film individually, but nonetheless, there's plenty of good reasons why many are labeling this as one of the best action flicks to ever existed. Ever! So dial 911 and get ready to say Here Comes TheFuzz!

Bodycount:
1 male and 1 female decafinated with an axe
1 male incinerated in house explosion
1 male had his head crushed through by a falling church steeple
1 female stabbed through the throat with a pair of garden shears
1 female skeleton found
1 male skeleton found
1 boy skeleton found
1 dog skeleton found
4 boys found murdered
1 elderly male found with head wound
1 male found with throat cut
1 male skeleton found
1 male Living Statue found dead
1 male decimated by an exploding sea mine
Total: 18
At least, I think he's dead...

MY HOLIDAY WISH LIST 2014

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And here we are again for another December and as a sort-of tradition for this blog, here be my Holiday wish list for this year. Please don't be weirded out by some of the entries. I am a nerd of multiple (and sometimes, unfocused) interest!

1. Movies (Some titles I wanna see right now...but can't cuz i have to wait due to legal reasons): 

a. Billy Club (2014)
b. Don't Go To The Reunion (2014)
c. Charlie's Farm (2015)
d. The Drownsman (2014)
e. Cub (2014)
f. Among The Living (France, 2014)
f. Jurassic World (2015)*squeee!*

2. Toys and Collectibles (You don't stop playing when you grow old, you grow old when you stop playing! ripped from Emgo the freakin' Geek)

a. Transformers Generations Deluxe Windblade
b. G1 Transformers Wheelie
c. Transformers Generations Unicron
d. Beast Wars Silverbolt
e. G1 Transformers Megatron
f. Monster High Robecca Steam
g. Either an Emmet or a Princess Unikitty LEGO mini-figure
h. Puppetmaster Six-Shooter replica

3. Books and Comics (Some reads to pass the time.):

a. I Know What You Did Last Supper by Wayne Williams and Darren Allan
b. Mammoth Book of Slasher Movies by Peter Normanton
c. Zombie Movies: The Ultimate Guide by Glenn Kay
d. Lenore The Cute Little Dead Girl by Roman Dirge (any of the Trade paperback)
e. Slashermania by Russell Hillman and Ron Joseph
f. Sabrina Online: A Decade of Black and White by Eric W. Shwartz
g. Draw More Furries by Jared Hodges and Lindsay Cibos
h. Teenage Wasteland/The Slasher Movie Book by Justine Kerswell (why do you evade me, book?!)

4. Miscellaneous (other etc.)

 Either a pet hedgehog or a ferret.

 I'll name the hedgehog, Prickles

and the ferret, Frankenfurter

Strangle This and Strangle That: Shock- Diversao Diabolica (1984)

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Shock: Diversao Diabolica (Brazil, 1984)
Rating: **
Starring: Jurandir Abreu, Claudia Alencar, Elias Andreato

It was often said that some things are best left alone; take Night of the Dribbler for example, a supposed sports-themed spoof on the slasher sub-genre that spent its time trying to be funny and forgets the slasher part almost through-out the movie. It wasn't clever. It wasn't exciting. It was not even so effin bad it was good, and some (if not most) of those slasher fanatics who begged for the film to be released were quick to wash their hands and hoped that sonovabitch gets shelved back.

Now, am I saying Shock should fall into a similar fate? Honestly, I can't really tell: everybody was speaking in Portuguese!

Shock-Diversao Diabolica is a rarity for reasons that it was never released with dubs or subtitles and for that, reviewing this movie proves to be a challenge. Luckily there are a few horror enthusiasts out there who reviewed this film and cleared enough plot points for me to follow the film without getting lost. (Much)

The film follows a rock band who decided to haul up one night inside a house while waiting for their instruments, apparently delayed due to some issues with whoever was transporting them. As any hot and young teenager/young adult couples would do in this predicament, we spent a good near-20 minutes watching them (graphically) make love while the scene jumps back and forth to some people in a club. And seeing this is a slasher movie, the band soon realize that they are not alone and someone donning heavy black boots is strangling and garroting them dead, one by one.

With six victims and sixty minutes to spare after the first murder, Shock is quick to show that it wasn't only influenced by American slashers. Normally in a movie of this kind, these characters would be running out doing dumb things that would get them killed but in here, the would-be murder victims decided to confine themselves in a room while one of them went out to get the cops. hey then spent most of their time discussing who could be out killing band members at the time and a couple of other things I didn't quite catch since, again, it's in Portuguese.

Interestingly, its not just the victims that broke the slasher cliches; the sex=death formulation is tweaked with an interest in breaking the norms, as one female character rejects her boyfriend's sex is natural talk and would have been our virginal final girl, only to unsuccessfully seduce him and, of course, gets killed off as an early victim. In turn, the villain out for prowl does not act like quite a crazed maniac but, instead, he is methodic and patient enough to make himself a sandwich, smoke a joint he found on the floor (eww) and play the drums tunelessly in hopes of driving the kids out. (And it worked!) We never get to see his face, just his hands and boots, so the enigmatic nature of the killer is always a plus in my book.

Sadly, there is one thing that prevents me from rating this any higher, apart that I only understood half of the conversation, and it was that the kills aren't too exciting. With the later slasher parts of the movie taking place inside an single room, we get no chase scene and each of the murders (save for a real rat getting pinned to the floor with a knife) are nothing but strangulations. Sure you can try to spice it up with slow-mo shots or an epilepsy-inducing strobe light effect, but in the end, a slasher movie needs blood. Or at least a creative variation to the killings, like the automated noose from Argento's Trauma!

Watching Shock wasn't a bad experience as a whole, but rather it was just a little odd. The ending of the film was quite nice and I can say that the film's director, Jair Correia, was aiming for something more intellectual than your average hack-a-thon, but with a lack of thrills comes a lack of attention and, in turn, a lack of distribution. It's not worth loosing any good night's sleep being tracked down but when you do have the opportunity to watch it, see it out of curiosity.

Bodycount:
1 female strangled to death
1 female hoisted by the neck, strangled
1 male garroted with a rope
1 male garroted with a rope
1 female strangled to death
1 rat pinned to the floor with a knife
1 male found murdered, body tied to a column
Total: 7

Radio Plays of The Devil: Satanic Attraction (1990)

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Satanic Attraction (Atração Satânica) (Brazil, 1990)
Rating: ***
Starring: Ênio Gonçalves, Gabriela Toscano, André Loureiro

(A special shout out to luigihotpitagradecimentos para os filmes raros!)

On a sunny coast in Brazil, Fernanda, a young, hot DJ, is hosting her own horror story over the radio about a killer terrorizing the streets for girls to hunt down. With each chapter written and aired daily, Fernanda's listeners are divided between captivated fans and those who are horrified by the tale's graphic nature, but little do they know, the story's about to get frighteningly real; coincidentally, whenever Fernanda tells her story of dismemberment and blood draining, a real killer follows the story's plot so eerily that the local cops began to suspect something is out of the ordinary and they're keeping a real close eye on our radio hostess.

However, Fernanda's is as frightened and disturbed about this fact, even more when she began to see visions of a reanimated corpse, the supposed sibling of the killer from her stories. Nevertheless, she continues with the story under the demands of her boss and the bloodbath continues, followed by a chain of possible suspects not limited to Fernanda's sailor friend, an antique shop owner (who keeps a pet panther!), and a random girl who appears to be in a trance.

All of this is just the first half of this near 100 minute long slasher whodunit, director Fauzi Mansur envisioned a serious tone to this story only to have an end product that's gorily good but a tad confusing at times.

For the record, I enjoyed this Brazilian hackathon a lot more than the last title I covered from that country; with an ethnic look at the classic Satanist cult sub-genre thrown in the mix, Satanic Attraction could h ad done more with its supernatural elements as plenty of questions surrounding how our DJ heroine was able to envision the killer's every move were failed to be answered. In fact, considering the twist reveal on who our killer is was done halfway in its lengthy running time, the film raised more head-scratchers than answer them as more twists came about and motivations gets blurred, cleared, and then blurred again.

Nevertheless, Satanic Attraction is still pretty entertaining; to market this film to English-speaking viewers, the producers hired amateur voice actors to dub this film, resulting to wooden performances that some will find mind-shattering, while others will find it funny. I am among those that find it slightly funny. The pacing is never boring and moves along quite tolerably despite the lack of any action in its middle portions, and I can see that some money was spent to ensure this film has quality.

And of course, let's not forget the very heart and blood of a slasher movie, the gore; seeing Mansur also directed another Brazilian slasher in 1989 titled The Ritual of Death, its was observable that he at least have some eye on good, gooey, exploitative gore. When not chasing girls across the sandy beach in broad daylight or sneaking into their hot tubs to put razors in their bath soaps, our killer boasts some crazy kills like an effectively messy double impaling, pickaxing, and a visceral killing spree that might also be the best scene in the entire film.

Everything ends predictably and never bothered answering any of the important details; still, I'm not saying I didn't have fun with this. To be frank, I'm going to check out Mansur's apparently gorier Ritual if I ever get my hands on it. As of this movie, I'm gonna say Satanic Attraction deserves a look. Not for the story or the scares, but more of something to mindlessly entertain yourself given you're the kind of person who can tolerate B-Grade cheapiness.

Bodycount:
1 female stabbed on the back with swords, dismembered
1 female hacked on the head with a cleaver
1 male and 1 female skewered with a spear
1 male found murdered, feet cut off
1 male and 1 female poisoned
1 male slashed by the eyes with a sword
1 female disemboweled with a scimitar
1 female beheaded with a scimitar
1 male ran through with a scimitar
1 female stabbed with a harpoon
1 female strangled
1 male hacked with a pickaxe
1 male shot to death
Total: 15

Home Alone: 3615 Code Pere Noel (1990)

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2014 CHRISTMAS ENTRY!
3615 Code Pere Noel (AKA "Game Over", "Hide and Freak") (France, 1990) 
Rating: ****
Starring: Brigitte Fossey, Louis Ducreux, Patrick Floersheim

In 1990, Home Alone was released in American theatres. The film concerns about an 8-year old boy accidentally left all alone in house when his family flew off to France for Christmas. He then discovers the hardships of responsibility and has to defend his home from a duo of bumbling idiots, all while spouting one-liners.

As cherished as it is as a holiday favorite by many, us horror (and thriller) fans knows a dirty little secret behind this film: France already beat them to it! Enter 3615 Code Pere Noel, a thriller following a similar plot, yet with a dark twist of its own.

Thomas is the son of a successful business woman and the grandson of a diabetic (and blinding) Grandfather Papy, whom the boy cherished as a beloved father figure. He is a boy of familiar interests such as video games, playing as Rambo with his dog, fantasy role playing game and a fascination with Santa Claus, but what sets him apart from other children is that he's a whiz. Not only is he capable of fixing cars and setting up security cameras, but he's also fully equipped to create remote- operated booby traps and secret passage ways that's all over his house.

It was one Christmas Eve when Thomas' mum had to go to work and may spend the whole night at her office finishing it all. With Papy and his dog as his only companions all through that evening, he decided to stay up late in hopes of capturing Santa on video to prove his existence. But unknown to him, the company where his mum worked at just fired a disturbed vagrant, who was hired the same day to dress up as Santa only to get too physical with a girl.

Wanting revenge, he hitched a ride on  a toy truck headed to Thomas' home and, after a quick killing spree bumping off the driver, a cook and a  gardener, he sneaks down a chimney and landed in front of a hiding Thomas, giving the child a sense wonder and delight...

...until "Santa" stabbed his dog on the throat with a cake knife. God, I hope that's not a real dog cuz it was graphic! Now alarmed, Thomas wakes up his grandfather and must spend an entire night in a fight for survival against a dangerous murderer, hellbent on revenge.

What sets Pere Noel apart from its American cousin is that it's darkly serious; Home Alone plays a family friendly version of a home invasion movie by setting up a witty (and sometimes obnoxious) kid against two harmless thieves who some how can survive traps that can definitely kill an ordinary man. Pere Noel goes through familiar trappings but with a child that's believable despite it's cartoonish high-tech skills. Thomas may have the capabilities of using his intellect and resourcefulness against a mad man but deep inside, he's frightened of the situation not only for himself, but also for his grandfather as any child would. The bond Thomas have for his grandfather is what drives this film in terms of warmth and thrills as the two characters are given enough scenes showing how close they are as a family, even before the nameless killer reared his spray-painted ugly face into the picture and by the time he did, much of the tension was placed around the boy's attempt to keep his granddad away from harm.

In turn, the killer here is no idiot who's calling card is to fill up basements with running water, but a homicidal maniac and child abuser who might be one of the better Santa-themed villains out there. He's frightening, merciless and clearly unhinged, seen with the way how he lacks any hesitation to kill Thomas and Papy whenever he almost got the chance.

Heart-warming and yet terrifyingly intense, Pere Noel is a title that deserves to be known out there if it wasn't for the risk of being compared to Home Alone. To be fair, Pere Noel came out first (released in 1989 for the Laon Film Festival of Youth and Children's Films, then nationwide in 1990) and it is a wonder whether Home Alone's writer John Hughes had taken a few influences from this film. Nonetheless, this French thriller is visually stunning and well-developed enough to make a personal impact, though I do have a few gripes on some slow scenes in the middle, a minor flaw compared to its respectable final result. (Plus it has Bonnie Tyler singing a soundtrack for the film! As a fan of 80s music, how is that not cool for me?!)

If you want something different to watch apart from your usual Christmas specials, or just wanted to see something very obscure to add in your horror/thriller watch list, feel free to seek out 3615 Code Pere Noel. It's not the best film to come out of the country, but it is an entertaining piece of work that truly deserves to be discovered.

Bodycount:
1 male murdered, method unknown
1 male and 1 female killed offscreen
1 dog stabbed on the neck with a cake knife
1 male murdered offscreen
1 male shot to death
Total: 6
This scene. So Halloween (1978)

Socialite Mess: Taboo (2002)

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Taboo (2002)
Rating; 1/2
Starring:  Nick Stahl, Eddie Kaye Thomas, January Jones

You know what not to do with your friends at New Year's Eve? Run around in your tights with a rocket strapped to your butthole hoping you'll take off like a jackass. You know what else you shouldn't do? Watch a 2002 movie titled Taboo, an experience that I'll guarantee is ten times worse than having your ass blown apart by an explosive.

Sometimes it is best that one should keep their mouth shut, but six high-class buddies (?) decided to play an innocent game of Taboo one New Year's Eve night, where one will pick a taboo card and write the answers "yes" or "no" on said card in response to its written question. The friends them picked a random card once it was shuffled around, and did their seemingly best to guess who answered the card.

Seeing the name of the game is Taboo, it's not hard to understand that the questions are juicy; an entire year after the night they played this game, these friends are back together to celebrate New Year's Eve only to discover that one of them has a sinister agenda. One by one, they all fall victim to a friend-turned-enemy, who was apparently blackmailed thanks to the personal details they revealed on that one night of Taboo.

The premise actually got me looking into this movie as it resembles a bit of Agatha Christie's Ten Little Indians; unfortunately, the film failed to be as exciting as my favorite thriller novel, since none of these characters even tried to be likable or root-worthy. They're socialites, snobs who think about no one but themselves, and they're quick to prove this point as they seem to hardly care when one of them dies off or had gone missing.

Then again, they may have a reason for not acting too surprised that their buddies were mentioned gutted; half-way into the film (which honestly felt like an eternity), it was revealed that the missing/dead friends are actually alive and was torturing their blackmailer. They seemingly forgive her, and was about to live through the night chipper, that is until one of them loses his mind for God knows what reason and began shooting everyone with a hunting rifle. Trust me again, this is not as exciting as it sounds and I regret nothing spoiling this to anyone. (You'll thank me later!)

Wish that was my hands over there on that rifle...
In fact, I'm very disappointed with this; Amber Benson from the Buffy TV series and Nick Stahl of Sin City and The Thin Red Line (1998) are among the stars of this mess and they failed to live up to their talents. Writing is horrid at its best and the pacing is slower than a Galapagos Tortoise trying to defeat mass extinction, I really can't express any sense of joy and delight from this movie, until it was over.

For real, don't give any shit for this movie. It's not worth your time, your friend's time, your dead grandparent's time, and most of all, my time.

Bodycount:
1 male shot on the face with a rifle
1 male shot on the head with a rifle
1 female beaten to death with a rifle
1 female hits her had against a pool table, beaten to death with a pool cue
1 female poisoned
1 male poisoned
Total: 6

Oh My God! Kenny killed them!: Terror Train (1980)

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Terror Train (Canada, 1980)
Rating: ***1/2
Starring: Ben Johnson, Jamie Lee Curtis, Hart Bochner 

It was one New Years Eve in the 80s when Kenny, the shy guy on campus, was coaxed by his fellow freshmen to score one with Alana, Jamie Lee Curtis' good girl character in this plot. Convinced that he is finally gonna get lucky with the girl of his dreams, Kenny agreed to follow his friends' instruction to meet her in a chiffon covered room, unaware of their real intention; on the bed was an obscured cadaver taken out of a nearby mortuary, and Alana -hiding behind a four poster bed- unknowingly agreed to tease Kenny by inviting him to strip and make out with "her".

When Kenny found out exactly what he was snuggling, it's no surprise he completely lost it, leading to one hell of a guilt trip in Alana's behalf that lasted three long years until the night of their graduation.
On that snowy evening, the graduating class celebrates their last band together abroad a chartered train, donning costumes and hiring a REAL magician (the one and only David Coppefield, who apparently hates this film for some odd reason...) for entertainment. Those who were responsible of the prank tried to move on from the fact that their little stunt caused a mental breakdown, but it appears the past found a way to pay them back; unknowingly to all of them, Kenny is back and has a bone to pick with the pricks (and Alana). One by one, he murders them and dons their costume to get around unnoticed. 

When it soon narrows down to just him and Alana, deadly chases and twisted twists were not far from the expected, seeing this is released during the bygone years of the 80s slasher boom. And yet, you can tell Terror Train is in a league of its own; while it is a slasher, bloody kills wasn't the winning factor of the film but it was its creepiness, sadistic streak, and a bit of ingenuity. 

It is brutal without being overly bloody, raising up a few creative carnage as the killer walks among potential victims unnoticed and play with the idea that everyone was donning costumes, meaning he can murder anyone without alarming the entire party. (That is until said victim's friend took notice, then it was pandemonium!) It seems pretty obvious that the killer wanted all those responsible for the prank that ruined his life to emotionally and psychologically suffer first before grabbing them by the throat, even more when he chases Jamie Lee's character through an abandoned corridor during the film's climax, at one point mocking her by smearing blood all over her face and then teasing her with an axe when he corners her in a cage.

What's more impressive is how well the claustrophobic feel was in this film, seemingly thanks to an atmospheric cinematography and some darn-good performances from its casts despite the trace of cheese. As of any 80s slasher, it still does the classic cliches, minus T&A, (unless you count the corpse...you freak of nature) but the only real let down was, after a few unnoticed killings, the movie slows down in the middle and went to stab at at teen politics and a bit of the blame game; not overly bad but simply dragging seeing the film did had a good start and all the killer did at this point was skulk and glare. Then again, this is a minor gripe, and things did got going once more after the thespians discovers the murders.

Terror Train made its way to an end with a lot of cheesiness, whether this is funny, creative or plain crazy is up to you. Personally, if it wasn't for the slow middle bit, this fine Canadian slasher may have been finer but it could had done worse, so much worse, and I am just thankful that the overall result was as fun and exciting as it was grueling and mean. If you have enough patience to go through teens being teens and some vintage magic show just for some worthy cat-and-mouse killer antics, then seek out this masterpiece!

Bodycount:
1 male found  ran through with a sword, crushed underneath a train
1 male brained against a mirror
1 female found with throat cut
1 male found stabbed
2 males mentioned missing
1 male decapitated
1 male found impaled with swords
1 male falls to his death unto a frozen lake
Total: 10
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